ComicRelated.com has a review up of DOSE magazine, which is a small publication in NYC created by Brendan McGinley that prints some of my strips. Here’s what they say:

Owing a lot of its style and tone to the strips of Chris Eliopoulous, Christopher Stetson Wilson’s The Invisible Life of Poet is a fun, if brief, foray into something that feels like it might be slightly more at home as a strip or a webcomic, but which serves as an entertaining buffer between some of the longer works–kind of like commercials on television might give you the time and energy to face up the next breakless half-hour…if commercials were actually clever.

The funny thing is, I don’t know who Chris Eliopoulous is. Apparently he drew a strip called Desperate Times, which I’ve never seen in my life. It’s nice to be recognized, and complimented, but my style exists because I like inking with a Speedball B-6 nib more than a brush or crowquill. I’ve never read comic books in my life. And my tone owes more to Bill Watterson than anyone else.